- Thu Jun 04, 2009 3:25 pm
#4879
You're right - Latin is the most accessible, and the most in-demand. Which is why I'm trying to keep my options open as far as opportunities to play in non-trad settings.
The thing is, here in the US, congas (etc.) came with immigrants from Cuba and Puerto Rico, and spread from there. And there are other instruments (like the Puerto Rican bomba and panderetas) that are still largely confined to immigrant communities here. The acceptance of congas, bongos and timbales seems to have had a lot to do with collaborations between various American musicians (like Dizzy Gillespie) with Latino immigrants and second- and third-generation kids of immigrants.
All that's a long way to say that it's going to take time for the djembe and related instruments to settle into our culture - and there's no way of knowing if these instruments will ever gain acceptance in the way that some "Latin" instruments have.
The thing is, here in the US, congas (etc.) came with immigrants from Cuba and Puerto Rico, and spread from there. And there are other instruments (like the Puerto Rican bomba and panderetas) that are still largely confined to immigrant communities here. The acceptance of congas, bongos and timbales seems to have had a lot to do with collaborations between various American musicians (like Dizzy Gillespie) with Latino immigrants and second- and third-generation kids of immigrants.
All that's a long way to say that it's going to take time for the djembe and related instruments to settle into our culture - and there's no way of knowing if these instruments will ever gain acceptance in the way that some "Latin" instruments have.

